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Shooting at apertures as low as f/1.4 gives you the opportunity to make the most of the attractive bokeh of this lens. As you’d expect with a prime lens, image quality and sharpness are exceptional. The minimum focal distance of around a foot still allows you to get up-close detail shots of your subject, while autofocus is fast, though not quite as quick as the Zeiss Batis 18mm.
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$1350 | A sea turtle photographed with the Sony Zeiss Distagon 35mmĪn ideal choice for larger subjects that are further away, such as sharks and turtles, the Sony Zeiss Distagon 35mm works best in clear water with reduced chances of backscatter. If you’ve got deep pockets, Sony also offers a G Master version, the FE 16–35mm f/2.8 GM ($2,200), which promises even more impressive sharpness as well as beautiful bokeh. Corner sharpness is superb across the focal length and aperture ranges. Being a rectilinear lens, it doesn’t suffer the extreme distortion of a fisheye lens, so it’s also ideal for wrecks and divers. With an eminently usable focal length range, it’s great for medium-sized subjects like turtles, but wide enough for reefscapes and big animals. The Sony 16–35mm is the go-to lens for many a wide-angle shooter. $1400 | Sony Zeiss Vario-Tessar FE 16–35mm f/4 Being a prime, the Batis 18mm is also comparatively compact and lightweight, a bonus for photographers wanting to streamline their underwater setups. This lens consistently produces beautifully crisp images, even with the challenges of unpredictable marine subjects, and the shallow depth of field when used at maximum aperture opens up possibilities for different styles of shots. Fleeting wildlife interactions means little time to prepare image settings, and the rapid autofocus of the Batis 18mm allows you to keep up with the action.
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The Zeiss Batis 18mm is the perfect wide-angle lens for photographing fast-moving sea life. $1700 | A tiger shark captured with the Zeiss Batis 18mm The only real consideration is the expense of the dome port you’ll need with this lens. Expect mind-blowing perspectives and excellent sharpness, perfect for wrecks, large reef scenes, and the biggest animals-in a lens not much bigger and heavier than the 16–35mm f/4. Sony has managed to engineer a relatively lightweight and compact lens with a reasonable price tag-it’s half the weight and a little more than half the price of Canon’s equivalent ultra-wide. If you’re not smitten by the distortion of the Canon fisheye, this ultra-wide rectilinear zoom should fully satisfy your wide-angle cravings. And then there’s the bonus: As well as frame-filling fisheye at the 15mm end, you’ve got circular fisheye at the 8mm end, adding yet another dimension of creativity to your photography. Close-focus wide-angle shots can be achieved with ease due to the near-zero minimum focus distance. Fortunately, this is an optically first-rate lens, producing vibrant images that are sharp all the way to the corners and snapping to focus almost instantaneously. Recommended lenses for Sony full-frame mirrorless cameras comparedĬanon EF 8–15mm f/4L Fisheye + Metabones Adapterįor Sony full-frame users, the only fisheye option is the Canon 8–15mm in combination with an appropriate adapter like the Metabones. Let’s take a look at the best lenses for underwater photographers with Sony E-mount full-frame mirrorless cameras: However, with EF-mount to E-mount adapters like that from Metabones, it’s possible to use Canon’s fisheye zoom on a Sony body retaining full functionality and autofocus speed and accuracy. One lens not offered by Sony-or Zeiss for that matter-is a high-quality full-frame fisheye.
#BEST SONY FULL FRAME LENSES SERIES#
Sony’s own premium lenses go under the G series (barrel logo: “G” on black background) and top-of-the-line G Master series (barrel logo: “G” on orange), which are designed to complement the high-resolution sensors found in the company’s Alpha camera line. The Japanese manufacturer is also more than two decades into its partnership with German glass gurus Zeiss, and those collaborative efforts have yielded both noteworthy Zeiss and Sony-Zeiss lens creations. While the lens selection for photographers shooting Sony interchangeable-lens cameras is more limited compared to that from the big DSLR makers, the full-frame underwater shooter is well catered to with the professional-grade optics offered by Sony. By DPG Editorial Staff, with James Ferrara, August 24, 2018